Italianism and Claude Le Jeune
Identifieur interne : 000449 ( Main/Exploration ); précédent : 000448; suivant : 000450Italianism and Claude Le Jeune
Auteurs : Isabelle HisSource :
- Early Music History [ 0261-1279 ] ; 1994-10.
Abstract
In section iii of his paper ‘Ut musica poesis’, Howard Mayer Brown remarked upon Italian musical presence in France in three main areas: music theory, techniques of composition and interpretation, and poetry. The works of Claude Le Jeune (c. 1530–1600) seem to me to illustrate his comments in a particularly striking fashion, and although my study of Italian influence on Le Jeune's work is incomplete, I think it is possible to make some preliminary observations.
Url:
DOI: 10.1017/S0261127900001339
Affiliations:
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Le document en format XML
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<front><div type="abstract">In section iii of his paper ‘Ut musica poesis’, Howard Mayer Brown remarked upon Italian musical presence in France in three main areas: music theory, techniques of composition and interpretation, and poetry. The works of Claude Le Jeune (c. 1530–1600) seem to me to illustrate his comments in a particularly striking fashion, and although my study of Italian influence on Le Jeune's work is incomplete, I think it is possible to make some preliminary observations.</div>
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